About

sarah & Michael

Ësenaim. was born from the urge to transform field experiences into something that could be felt, heard, and shared. After working in over 20 countries with Médecins Sans Frontières (MSF)—from cholera outbreaks in Haiti to displacement in Congo and floods in South Sudan—Sarah Guefif and Michael Casera returned home with memories that words alone couldn’t carry.

Since 2016, they have recorded sounds and written poetry during missions—capturing voices, atmospheres, and emotional landscapes to preserve the intensity of what they witnessed: human resilience, cultural depth, and the realities of crisis zones.

Gradually, the idea of Ësenaim. emerged: a project blending electronic music compositions, poetry, and visual storytelling into immersive performances.

The upcoming album and tour, Talk About, is a natural continuation of this journey. Inspired by MSF’s #TalkAbout campaign, it gives voice to places often forgotten—through sound, story, and shared experience.

Ësenaim. is an act of remembering, witnessing, and inviting others to listen.


@photo Guillaume BLG - Ësenaim. Live in Copenhagen



Ësenaim. was born from an urge to share experiences of two aid workers when coming back from missions with Doctors without Borders (MSF). Together they worked in 20 countries affected by crises; cholera in Haiti, displacement in Congo, floods in South Sudan... When returning from missions, they struggled to find the right words, describe, feelings, smells, sounds, share experiences. 


Since 2016 they have recorded sounds and written poetry everywhere they went on mission. To ensure their memory does not fool them - capturing the intensity of new cultures, human and natural resilience and unfortunate violent environments. Recording what they witnessed. 


Gradually, the idea emerged to share their experiences combining passions:

producing electronic music
writing poetry
creating an art performance


Ësenaim. is more than a collection of these memories. It is storytelling through music, poetry and art.



Ësenaim. was born from an urge to share experiences of two aid workers when coming back from missions with Doctors without Borders (MSF). Together they worked in 20 countries affected by crises; cholera in Haiti, displacement in Congo, floods in South Sudan... When returning from missions, they struggled to find the right words, describe, feelings, smells, sounds, share experiences. 


Since 2016 they have recorded sounds and written poetry everywhere they went on mission. To ensure their memory does not fool them - capturing the intensity of new cultures, human and natural resilience and unfortunate violent environments. Recording what they witnessed. 


Gradually, the idea emerged to share their experiences combining passions:

producing electronic music
writing poetry
creating an art performance


Ësenaim. is more than a collection of these memories. It is storytelling through music, poetry and art.



Releases

4 Track EP Out 01/11/2024

4 track EP Out 06/02/2025

TAlk About Album - Out 17/10/2025

the missions we

Talk About

2016

2016

Central African Republic

Bangui

Sarah : I spent six months in Bangui between 2017 and 2018, soon after the third civil war. Each day followed the same strict path: from the house to the car, from the car to the hospital—always behind high walls. They called it protection. On the other side, we heard bullets crackling through the air. Every sound felt like a threat. Every face seemed marked by fear or exhaustion. There was despair in every glance. The river became my only anchor. I felt a sense of freedom only when the horizon came into view. This track includes original recordings from the MSF security radio room. Every vehicle movement— arrivals at the hospital, passing checkpoints—we had to report back, confirming all was safe.

The song’s intro reflects this atmosphere: despair like a shadow, fear likean arrow. It speaks to resilience in the face of constant uncertainty and violence. When my colleagues shared their stories of being displaced within Bangui, they spoke of the impossibility of planning ahead. Some were no longer building a permanent house or raised livestock—there was no point if they might have to flee again.

Bangui felt like a ticking time bomb. Life moved under the shadow of what could come next. And yet, people found ways to endure, to resist despair, and to hold on to moments of hope.

6 MONTHS

2016

2016

Uganda

BidiBidi

BidiBidi

This was the second mission for me. Bidibidi is a South Sudanese Refugee Settlement in Northern Uganda, which at the time hosted about 280,000 refugees. For 3 months I worked on a research project on cholera prevention. In the midst of breathtaking nature, I saw for the first time what a real humanitarian emergency looks like.

But what I was most impressed by was the resilience of the South Sudanese refugees. How they managed to transform a refugee camp into a living city that above all allows a life in dignity after escaping a brutal civil war in South Sudan – this is Bidibidi.

The track includes field recordings of birds that were such a strong memory of my stay in Bidibidi.

2019/20

2019/20

6 MONTHs

2018

2018

2018

2018

South sudan

Juba

One day when I was working in Juba I woke up with the memory of a powerful dream. Immediately, I recorded the dream before forgetting it. A dream reflecting the daily reality of life in Juba… Some months ago I gave the recording to Michael, who immediately spend several nights turning this dream into musical reality.

6 MONTHS

2016

2016

3 MONTHs and 16 MONTHs

Iraq

Sinjar

Sinjar

Michael : With this track, I wanted to achieve one thing: to dance sorrow away. I will never forget that evening in 2019, sitting around a barbecue fire in Sinjar, when a local doctor quietly shared the story of his father’s kidnapping by the Islamic State. It wasn’t just a personal tragedy—it was a window into the deep, generational pain of the Yezidi people, who have suffered cycles of violence and persecution for centuries.

Everywhere in Sinjar, destruction was visible. Homes, streets, and lives torn apart. You could feel it in the silence, in the stillness. And yet, alongside this immense weight, I experienced an unexpected depth of hospitality, open-mindedness, and an almost defiant love for music. It’s that duality—grief and generosity—that stayed with me.

Sarah’s poem, written for this piece, speaks to the genocide and injustice endured by the Yezidi through the metaphor of fire.
«L’incendie des idées poussera toujours à l’exil». Her words remind us that even in the face of unimaginable loss, the fire of memory, of ideas, and of resistance still burns.

Sinjar is a tribute—to those who stayed, those who were lost, and those who continue to carry the spark forward. We composed and produced this track primarily using analog synthesizer in

Simon Oeggl’s studio in Vienna. The cello is played by Francesco Bocchi, an exceptional cellist from the Conservatorio di Trento (Italy).

2019/20

2019/20

6 MONTHs

2019

2019

2020

2020

2020

2020

Mali

Bamako

I have spent 6 months in Mali divided in two very different period of time. I was going there to experience the Mali we sell on TV, malian Kora, malian music one of the most recognized in the world.  The contradiction between Bamako and the rest of the county striked me. The quite and alive Bamako made me live exceptional local experience, far away from the malian artists producing music for the white european festivals. I got to realize when a colleague of mine told me: "the malian artist you listen to are the one producing music to be famous and sell in Europe". Then Covid stroke our routine and malian experience was limited to the walls of my house and my office.

Mali for me is a profusion of light Kora notes, very peaceful people and one of the most quite capital i have been to. Red color pathway all over the city. Animals waiting there under the sun forever. Six entire months without a single drop of rain. Couples going to church with their scooter in beautiful outfits.

6 MONTHS

2016

2016

Democratic Republic of Congo

Goma

Goma

Goma is home to 800,000 people living at the foot of one of the world’s largest lava lake. A city suspended between the calm of a lake, the brutality of the mountains, and the ever-boiling presence of a volcano.

There was always a fear of invasion by the region’s most violent armed group—M23—which has since taken control of the city. Goma has changed. It was once a lively place, with rumba music in the background, dark terraces, plastic chairs, fresh mountain air, blazing sun, and easy friendships.

Despite being in one of the poorest countries in the world, Goma remains one of the most powerful—diverse, resilient, and angry.

Goma is a massive human experience. Beyond the impossible, life persists—in people’s minds, and in their hearts.

2020/21

2020/21

2021

2021

2022

2022

2022

2022

Sudan

Blue Nile

The first time I went to Sudan, I spent three months in Blue Nile in 2022. It was a remarkable experience to work in Damazin. I have truly never encountered people as gentle as those in Damazin. Damazin is a vibrant city stretching along the Blue Nile, in the southern part of Sudan, not far from the borders with South Sudan and Ethiopia. Affected by sudden tribal clashes while I was there, I witnessed how quickly conflict can create suffering and misery. My MSF colleagues worked tirelessly to support displaced communities and prevent disease outbreaks in a cholera-endemic area.

One of my strongest memories is of playing chess—countless nights spent with Fathi, a Sudanese colleague and friend, drinking tea and playing together. Fathi is a shining example of Sudanese youth: deeply committed to improving life in his community. I still keep in touch with him regularly to exchange news. The voice notes in the track are his updates from early 2024, when the Rapid Support Forces (RSF) were advancing toward his hometown. You can hear the concern in his voice—a chilling reminder of the violence of this war. The poem in the track is about friendship, a tribute to the bond I share with Fathi.

The track also includes field recordings from my time there: people laughing in the streets, the call to prayer from the Blue Nile mosque, birdsong, and the endless rain of the rainy season.

This is Sudan. This is Blue Nile.

6 MONTHS

2016

2016

Haiti

Port au Prince

Port au Prince

4th of October 2022. It was the first time I reached a place and my thoughts were: “I can’t cope with this”. I will never forget that car ride from the airport to the MSF accommodation. Empty streets, burning tires, constant gunfire could be heard, dead bodies on the street and the fear of

cholera lingering in the air. Three months of mission going to my absolute limit to help control the cholera outbreak: late night shifts, frequent helicopter rides to avoid a gang-controlled area, cholera treatment centers with hundreds of patients and the resilience of my Haitian colleagues. To not escape Haïti. To not run. To not take that illegal migration route. Port-au-Prince turned into a civil war without being said.

The core of this track is a poem recorded for us by Menjie Richard Michel. She is a Haitian poet, who wrote this poem in 2010 after the devastating earthquake. This poem has gone through time and remains a reflection of reality, a different one.

The track includes recordings of gunshots and granulated Compas music (traditional Haitian music).
We wanted to try to recreate the feeling you have when you are in Port-au-Prince today: Music still banging the ears and constant gunfire in parallel streets. Because in the end, even in these extreme conditions, Haïti wants to stay alive.

2022

2022

2023

2023

Haiti

Port a Piment

Port-à-Piment is a small town in southern Haïti—far from the chaos of Port-au-Prince. I spent most of my second mission in Haïti, in 2023, in this quiet coastal village. By quite some margin, it is the most beautiful and mysterious place I’ve ever worked in.

Port-à-Piment—literally, the port of spices—once played a role in the Caribbean spice trade. Today, it’s a poor fishing town, surrounded by mystical mountains and stunning natural beauty. Compared to gang-controlled Port-au-Prince, it felt like paradise. Just before I flew to Port-à-Piment, I met Sarah. So we decided this track would be about us—Sarah and Michael—the beginning of Ësenaim., and the place where it all started : Port-à-Piment.

6 MONTHS

2016

2016

occupied Palestinian territories

Gaza

Gaza

We have both been working for Gaza since October 7, 2023. Sarah in the "Emergency Team" spent the first three months from Paris finding ways to bring essential medical supplies to the MSF clinics in Gaza. Michael spent a month in Jerusalem and the West Bank in May 2024 to prepare the team in Gaza for a possible cholera and measles outbreak.

It is probably the most emotional work we have done to date. The misery we witnessed day after day knows no boundaries.

In June 2024, we contacted "Gaza Poet Society". They were enthusiastic about our album and art performance project and wrote and recorded multiple poems for us. Michael then processed the recordings into four tracks that reflect the reality in Gaza today.

2020/21

2020/21

Feat. Mohammed Moussa (Gaza Poet Society): Gaza

3 & 6 MONTHs

6 MONTHs

2023

2023

2024

2024

Live Dates


31-Aug 2024

 Blera - Italy

Blera Summerfest

7-Feb 2025

Paris - (FR) 

MSF France HQ |

7-Mar 2025

Copenhagen (DK 

Christianshavns Beboerhus 


TALK ABOUT - 2025 Tour Dates

2-Aug 2025

Libourne (FR)

 La Guinguette du Charron'ro

24-Aug 2025

 Alpbach (AUT) 

European Forum Alpbach

17-Sep 2025

Auvergne (FR)

Free The Farm Festival

27-Sep 2025

Roskilde (DK)

INSP! Roskilde , Stroem paa Roskilde/PVC

17-Oct 2025

Schlanders (IT)

Basis w/ MSF

23-Oct 2025

Brussels (BE) 

Kiosk Radio LIVE

25-Oct 2025

 Brussels (BE)

Brasserie de la Senne w/ msf

7-Nov 2025

Amsterdam (NL) 

NDSM Theatre

22-Nov 2025

Vienna (AUT) 

Das Lot (Brotfabrik) w/ Msf

6-Dec 2025

Lyon (FR) 

La Fourmilière

20-Dec 2025

Bolzano (IT) 

ZOONA

more live dates to be announced very soon



  • Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

  • Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

  • Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim

    +++

    Ësenaim